Wednesday, January 29, 2020

Achieve Your Dream Letter Essay Example for Free

Achieve Your Dream Letter Essay I am an ordinary teenager named Melanie Ngai. I study at Kiangsu Chekiang College International Section. I live with my parents and brother, sometimes my grandfather in Mid Levels. I’ve known some of my friends from primary, which is a long time. I live in Hong Kong. I have gone to Kiangsu Chekiang International Section and Kiangsu Chekiang College International Section since Kindergarden and now I am in grade 11. I have a Canadian passport. I like spending my time playing tennis, football, and basketball with my family and friends. I also like listening to music and playing electric guitar, I started playing guitar during January of 2011, I find it really fun. I also enjoy taking photographs of anything I can find, watching television and also hanging out with my friends. I like watching Modern Family, F.R.I.E.N.D.S , How I Met Your Mother, NCIS, CSI, Big Bang Theory, Malcolm In The Middle and many more. I also like watching baseball, football, basketball and ice hockey. For my future, I would like to become a computer program developer or a professional photographer. I find it amazing on how computer games and programs are developed because it is a really long process which takes a huge amount of time and effort. I also hope to become an awesome guitarist because I want to create my own music and form a band in my spare time. As a young girl, my dreams have always been to be happy, successful, and to make the best out of life at the same time. I will attend university and classes to become a computer program developer , get married, and then start a family. To be well prepared for university, I have to excel in middle and high school. In everything I do, whether its a career or motherhood, I will strive to be the best I can. My academic goal for university is not only to get good grades, but to learn and gain experiences that will prepare me for the future. My other dream is to bungee jump, I would want to have the experience of bungee jumping since I am a daredevil and would like to try bungee jumping. I hope that this comes true.

Tuesday, January 21, 2020

Sophie Treadwell and the Centaur of the North :: Sophie Treadwell Essays

Sophie Treadwell and the Centaur of the North In August 1921, an extraordinary meeting took place between two very different people which would result in a brief and unlikely friendship. For four days at an isolated and picturesque ranch called Canutillo near Rosario in northern Mexico, the infamous Mexican revolutionary leader Francisco "Pancho" Villa played host to an intrepid American newspaper correspondent and playwright named Sophie Treadwell. The resulting article that ran on the front page of the New York Tribune on Sunday, August 28, 1921 entitled "A Visit to Villa, A Bad Man Not So Bad" earned Treadwell international notoriety. Recognized for her expertise on the people and politics of Mexico, she would go on to write a series of articles on the topic of Mexican affairs. At that time Mexico was still reeling from a bloody Revolution that saw the ousting of the progressive but tyrannical regime of Porfirio Diaz and three more successive regimes. Treadwell's sympathetic treatment of Mexican affairs allowed her to access people and information that were unavailable to most. As a result, Sophie Treadwell brought to her readership enhanced understanding of important people and events in Mexico; most notably that of Francisco Villa. That an American woman received so much respect and was able to accomplish so much in a country which at the time was generally resentful of Americans as well as totally male dominated attests to the ambitiousness and cultural sensitivity of this noteworthy writer of fact and fiction. Born October 3, 1885 in Stockton California, Sophie Anita Treadwell's ancestry was a mixture of Mexican, English, German, and Scot. The daughter of a judge, she described herself as "a Californian, a mixture of the old 49er and the original Mexican"(Wynn 1). Her family life was marred by the marked absence of her father, of whom she said; "The first thing I remember of my father is that he wasn't there" (Wynn 4). Despite this, it was her father, a theater fan, who introduced Sophie to the theater. Though she would until very recently remain an under-appreciated and unknown playwright, the theater was to become the main focus of her endeavor for much of her life. Upon her graduation from high school in 1901, Treadwell intended to pursue a career in stage acting.

Monday, January 13, 2020

A critical appreciation of Keats’ “Ode to a Nightingale” Essay

John Keats, a poet of the romantic era, composed this poem in the spring of 1819. Being a poet of the Romantic era, he was a Nature lover, but instead of looking at Nature as a guide or teacher, he was in pursuit of beauty within Nature. The romantic poets emphasized on emotions, they believed in the power of imagination and experimented with new ideas and concepts. Keats is generally considered the most tragic of the Romantic poets as he was faced by a series of sad experiences in his life. The poem was written a few months after the death of the poet’s brother. Ode to a Nightingale is one of the five â€Å"spring ode’s † composed by Keats. He emphasized on sensuousness, that is, his works appealed to all the five senses of sight, sound, touch, smell and taste. An ode is a lyric, which is lofty in style and is usually addressed formally to its subject. Greek and Roman mythology were inspiration for his poetry. Medieval elements and romances and Arthurian legends were incorporated into his poetry. He had the gift of a vivid and picturesque imagination that fills his poetry with a brilliant sense of imagery. The poet begins by explaining the nature and cause of the sadness he is experiencing. This sadness is converted into physical ache and â€Å"drowsy numbness†. He feels as if he might have consumed some sort of drug to ease his pain, this resembles the qualities of the Lethe, a river in Hades, the underworld, where the dead drank and went into total oblivion and lost all senses. The feeling is a result of the deep awareness of happiness of the nightingale he hears singing; his resulting pleasure is so intense it has become painful. The nightingale is referred to the â€Å"light winged Drayad of the trees†, implying that it is a tree nymph. Dwelling amidst the darkness of the trees in a forest, it sings unconstrained. The poem shows the contrast between the poet, who is earthbound and the nightingale, which is free and possesses seemingly ethereal qualities. The poet uses alliterative sounds produced by the repetition of ‘d’ (‘drowsy’, ‘dull’, ‘drunk’ and ‘drains’), ‘m’ (‘my, ‘dumb’, ‘hemlock and ‘minute’) and ‘p’ (‘pains’, ’emptied’, ‘opiate’, ‘past’). In the second stanza, Keats longs for some intoxicant, â€Å"a draught of vintage†, which will help him to achieve a union with the nightingale, allowing him to forget his suffering and despair which will take him out of the mutability of all experiences in the mortal world. To him, a glass of this wine will transport him into that joyous world of the nightingale. He says that this red wine, will inspire him more than the colourless waters of the Hippocrene, which is the fountain of the muses, a source of poetic inspiration. He desires to be completely absorbed in the bird’s song. He wants to â€Å"fade away† with the nightingale, to drown all his sorrows and miseries and forget the unhappiness, the unhappiness that the nightingale has never experienced. The nightingale, according to the poet has not been tainted by the ‘ weariness’ ‘the fever ‘ and ‘ the fret’ and therefore would not be accustomed to human suffering or unhappiness. In the line â€Å"to think is to be full of sorrow†, Keats seems to imply that if a being has any perception of itself or its surroundings, then it would certainly be habituated to misery. Keats then goes on to explain another cause of sadness that beauty is transient and it gradually loses its lustre. He also explains that separation is inevitable and one will invariably have to be separated from his or her loved ones. His desire to die is not because he wanted to be extinct but that he wanted to be in a world that is closed by contentment, that is, the bird’s world. Keats decides against relying on Bacchus, the Greek god of wine and instead hopes to rely on the â€Å"viewless wings of Poesy’. This shows that he still wants to escape from the misery but instead of drinking he would rather escape through the world of fantasy and imagination. For him, the outlet to his pent up emotions is poetry. He says that whatever light or happiness that penetrates through the thick foliage in the forest, he will bask in its glory and accept with all humility. The fifth stanza continues with paradoxical ideas, although the natural beauty of his environment is physically denied from him, it is not withheld from his mind’s eye. The â€Å"embalmed darkness† signifies that darkness is  soothing when one does not want to be disturbed and wishes peace. He says that the vegetation is so thick and he cannot see, but he is still able to describe the â€Å"grass†, â€Å"the thicket† and the â€Å"fruit-tree wild† as if they were commonly found in the material world. He says that the smell of the flowers was so sweet and so invigorating that the flies were intoxicated by their fragrance. Keats refers to the nightingale as a â€Å"darkling † this signifies the dark and sad feeling represented by the nightingale. The poet realises that the ultimate form of escape from the troubles of life would be death. He realises that death will take away his pain and put and end to all his tribulations. He calls to death like a lover as he says, â€Å"I have been half in love with easeful death†. Death at such a moment, listening to the nightingale pouring forth its soul in ecstasy, would be an ultimate ending to his life. Keats, being a master of paradox, speaks of the natural art of the bird’s song which is associated with the high requiem which indicates mortality and the plaintive anthem is associated with mortality. In stanza seven, he says that although all humans must die, the nightingale is in a sense eternal through its song. He says that human life dies, but the beauty of something as special as the nightingale’s song will live forever. Keats thinks about the classical world of emperors and of Ruth, and considers how the song has been heard for many centuries. Keats also talks of â€Å"Charm’d magic casements, opening on the foam/ of perilous seas, in faery lands forlorn†. This signifies that the song, a thing of beauty lasts forever and perhaps possesses the power of introducing one to a world of fantasy. With the use of the word â€Å"forlorn â€Å", the poet is transported back into the world of reality. The phrase â€Å"the fancy cannot cheat so well/ as she is famed to do, deceiving elf† shows that the power of perception and imagination stimulated by the bird has cheated him and that it cannot take him away from the world that he is a part of. The same music, which instigated him to take his own life, now brings him back to the realm of reality. The song gradually fades out and is now â€Å"buried deep /In the next  valley -glades†. Keats is unable to decipher the real world from the illusionary and wonders if the song was a â€Å"vision† or a â€Å"waking dream†. The monotonous song is not a part of his world any longer and he is away from that world of stupor. The ode to a nightingale according to me is an amalgamation of an attempt to escape from the sorrows of life and an acceptance of the human conditions accompanied by human suffering. It showcases Keats’s path to realisation and his transition beyond the mundane world which is full of â€Å"sorrow / And leaden-eyed despairs† to the mystical universe of Nature.

Sunday, January 5, 2020

Improving the Guest Experience at the Walt Disney World...

Meeting the New Standard © Improving the Guest Experience at the Walt Disney World Resort Strategic Consulting Josh Buchanan Matthew Covarrubias James Gillis T.J. Lovejoy Craig Wuollet December 3, 2007 Executive Summary 3 Disney’s Guest Expectations 4 The Cast as a Core Competency 4 The New Cast Member Standard 5 Disney’s Cast Basics 5 Determining the Drivers of the New Standard 5 Do Cast Members feel valued? 5 Is Management creating an environment that has a positive affect on Cast performance? 6 Do Managers have the tools necessary to be Effective? 6 Treat Cast Members how you want them to treat guests 7 Achieving the New Cast Member Standard 7 Operational Areas 7†¦show more content†¦Feedback tools need to be developed to increase the effectiveness of management and increase management’s accountability for their team’s performance. Lastly, managers should remember the golden rule in that they should treat ‘Cast Members how they would want them to treat Guests.’ In doing so, Disney will be striving to create a magical experience not only for its valued guests, but also for the people that make it happen, the Cast. Disney’s Guest Expectations â€Å"Part of the Disney success is our ability to create a believable world of dreams that appeals to all age groups.†--Walt Disney Much of what differentiates Disney Theme Parks from their competitors is their ability to fully immerse guests into a ‘magical’ reality where the thoughts and concerns of the outside world are pushed to the wayside. The core to the success of Disney Theme Parks is an outstanding commitment to guest service and the Cast Member’s ability and freedom to do whatever possible to make sure the guest’s stay is a positive and memorable one. This has become the expectation of Disney guests, as well as the expectation of the organization as a whole. 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